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Romantic music : materiales e instrumentos: a history of musical style in nineteenth-century Europe / Leon Plantinga.

Por: Colaborador(es): Tipo de material: TextoSeries Norton introduction to music historyNew York : W.W. Norton, 1984Descripción: xvi, 396 páginas : ilustraciones ; 24 centímetrosTipo de contenido:
  • text
Tipo de medio:
  • unmediated
Tipo de soporte:
  • volume
ISBN:
  • 0393951960
  • 9780393951967
Tema(s): Clasificación CDD:
  • 780.9034 P66 23
Contenidos:
Historical background -- Music, patronage, and the public -- The composer's training -- Musical aesthetics -- Historicism in music ; "Romantic" -- Beethoven in Vienna, 1792-1808. Early stylistic growth: piano sonatas -- The String Quartet op. 18, no. 6 -- The Tempest Sonata, op. 31, no. 2 -- The Eroica Symphony -- Fidelio -- Beethoven: the late years, 1809-27. Formation of the late style -- The Diabelli Variations -- The Missa solemnis and the Ninth Symphony -- The late quartets -- Contemporary assessment -- Beethoven's contemporaries: instrumental music. Schubert -- Music for piano: Clementi, Dusík, and Field -- Czerny, Moscheles, Hummel -- Schubert's piano music -- The Lied: Schubert and his predecessors. The Berlin school -- Southern Germany and Vienna -- Schubert -- The rise of the nineteenth-century opera. Rossini -- Donizetti and Bellini -- Opera in France -- German romantic opera -- Paris from 1830-1848. Grand Opera -- The virtuosos -- Liszt -- Chopin -- French Romanticism -- Berlioz -- Schumann and his German contemporaries. Schumann -- Mendelssohn -- Other contemporaries -- Wagner and the music drama. The Ring of Nibelung -- Tristan and Isolde -- Die Meistersinger -- Later triumphs -- Italian and French opera in the later nineteenth century. Verdi -- Italian contemporaries and followers -- French opera of the later nineteenth century -- Nationalist music. Hungary -- Bohemia -- Tomášek and Smetana -- Dvořák -- Poland -- Russia -- Glinka and Dargomïzhsky -- "The Five" -- Musorgsky [Mussorgsky] -- Rimsky-Korsakov -- Tchaikovsky -- Scandinavia -- England -- Spain -- Crosscurrents in the late century. Liszt and the "New German School" -- Brahms -- Bruckner -- Leipzig -- Paris -- The century's end in Germany and Austria.
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Imagen de cubierta Tipo de ítem Biblioteca actual Biblioteca de origen Colección Ubicación en estantería Signatura topográfica Materiales especificados Info Vol URL Copia número Estado Notas Fecha de vencimiento Código de barras Reserva de ítems Prioridad de la cola de reserva de ejemplar Reservas para cursos
Libros físicos Biblioteca CRAI UPeU Lima Sala principal Colección General 780.9034 P66 (Navegar estantería(Abre debajo)) e1 Disponible (No restringido ) inventario-2023-12-13 80629

Historical background -- Music, patronage, and the public -- The composer's training -- Musical aesthetics -- Historicism in music ; "Romantic" -- Beethoven in Vienna, 1792-1808. Early stylistic growth: piano sonatas -- The String Quartet op. 18, no. 6 -- The Tempest Sonata, op. 31, no. 2 -- The Eroica Symphony -- Fidelio -- Beethoven: the late years, 1809-27. Formation of the late style -- The Diabelli Variations -- The Missa solemnis and the Ninth Symphony -- The late quartets -- Contemporary assessment -- Beethoven's contemporaries: instrumental music. Schubert -- Music for piano: Clementi, Dusík, and Field -- Czerny, Moscheles, Hummel -- Schubert's piano music -- The Lied: Schubert and his predecessors. The Berlin school -- Southern Germany and Vienna -- Schubert -- The rise of the nineteenth-century opera. Rossini -- Donizetti and Bellini -- Opera in France -- German romantic opera -- Paris from 1830-1848. Grand Opera -- The virtuosos -- Liszt -- Chopin -- French Romanticism -- Berlioz -- Schumann and his German contemporaries. Schumann -- Mendelssohn -- Other contemporaries -- Wagner and the music drama. The Ring of Nibelung -- Tristan and Isolde -- Die Meistersinger -- Later triumphs -- Italian and French opera in the later nineteenth century. Verdi -- Italian contemporaries and followers -- French opera of the later nineteenth century -- Nationalist music. Hungary -- Bohemia -- Tomášek and Smetana -- Dvořák -- Poland -- Russia -- Glinka and Dargomïzhsky -- "The Five" -- Musorgsky [Mussorgsky] -- Rimsky-Korsakov -- Tchaikovsky -- Scandinavia -- England -- Spain -- Crosscurrents in the late century. Liszt and the "New German School" -- Brahms -- Bruckner -- Leipzig -- Paris -- The century's end in Germany and Austria.

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