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  <titleInfo>
    <title>Religion and the senses in early modern Europe</title>
  </titleInfo>
  <name type="personal">
    <namePart>Boer, Wietse de</namePart>
    <role>
      <roleTerm type="text">editor.</roleTerm>
    </role>
  </name>
  <name type="personal">
    <namePart>Göttler, Christine</namePart>
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    <dateIssued encoding="marc">2013</dateIssued>
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  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
  </language>
  <physicalDescription>
    <extent>XXVI, 494 páginas : ilustraciones ; 25 centímetros.</extent>
  </physicalDescription>
  <tableOfContents>The sacred and the senses in an age of reform -- Wietse de Boer and Christine Göttler -- Insinuating the cross: sight, suggestion, and self in Renaissance painting -- Display and devotion: exhibiting icons and their copies in counter-reformation Italy -- 'In sensus cadentem imaginem': varieties of the spiritual image in Theodoor Galle's Life of Blessed Father Ignatius of Loyola of 1610 -- 'An odour. A taste. A touch. Impossible to describe': Nole me tangere and the senses -- 'The beads with which we pray are made from it': devotional ambers in early modern Italy -- 'The melodie of Heaven': sermonizing the open ear in early modern England -- Beyond vision: the impact of Rogier van der Weyden's Descent from the cross -- 'A cui ne fece dono': art, exchange, and sensory engagement in Anthony van Dyck's Lamentation for the Antwerp Beguines -- Tasting God: the sweetness of crying in the counter-Reformation -- The sense of hearing politicized: liturgical polyphony and political ambition in fifteenth-century Florence -- Of eels and pears: a sixteenth-century debate on taste, temperance, and the pleasures of the senses -- To captivate the senses: sensory governance, heresy, and idolatry in mid-Tudor England -- Piazza San Marco: theatre of the senses, market place of the world -- A Neapolitan Heaven: the sensory universe of G.B. Giustiniani -- The temptation of the senses at the Sacro Monte di Varallo -- Vision, medicine, and magic: betwitchment and lovesickness in Jacques Grevin's Deux livres des venins (1568) -- The return of the species: Jesuit responses to Kepler's new theory of images.</tableOfContents>
  <note type="statement of responsibility">edited by Wietse de Boer and Christine Göttler.</note>
  <note>Indice : páginas 589-494.</note>
  <note>SEG42</note>
  <note>SEG41</note>
  <note>SEG40</note>
  <note>SEG39</note>
  <note>P94</note>
  <note>P87</note>
  <note>P86</note>
  <note>P85</note>
  <note>P77</note>
  <note>P76</note>
  <note>P35</note>
  <subject>
    <topic>Senses and sensation</topic>
  </subject>
  <subject>
    <topic>Sentidos y sensaciones</topic>
  </subject>
  <classification authority="ddc" edition="23">274.06 R3</classification>
  <relatedItem type="series">
    <titleInfo>
      <title>Intersections : interdisciplinary studies in early modern culture ; 26</title>
    </titleInfo>
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  <identifier type="isbn">9789004236349</identifier>
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